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VOL. 13, ISSUE 1 (2026)
Eliot’s Poetry as a spiritual sadhana an exploration of T. S. Eliot’s poetic quest for spiritual renewal
Authors
Dr. Vandana Tiwari
Abstract
T. S. Eliot’s poetry is often studied for its
modernist innovations, mythic allusions, and linguistic complexity. Yet,
beneath the intellectual and cultural layers lies a profound spiritual quest
that shapes the very structure of his verse. This paper examines Eliot’s poetry
as a form of spiritual sadhana—a disciplined practice aimed at inner
transformation and union with transcendent truth. By analyzing key poems such
as “The Waste Land,” “Ash Wednesday,” and “Four Quartets,” this study argues
that Eliot’s poetic journey mirrors classical models of spiritual ascent found
in Christian mysticism, Vedantic thought, and contemplative traditions. These
poems articulate a movement from fragmentation toward coherence, from spiritual
desolation to renewal, and from ego-centered consciousness to surrendered
humility. The analysis highlights how Eliot uses myth, ritual, and poetic form
to enact spiritual practice and invites readers into a participatory engagement
with the ineffable. Ultimately, viewing Eliot’s poetry as sadhana reveals a
poetic vocation that transcends aesthetic experimentation and aims at inner
transformation and spiritual illumination.
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Pages:386-388
How to cite this article:
Dr. Vandana Tiwari "Eliot’s Poetry as a spiritual sadhana an exploration of T. S. Eliot’s poetic quest for spiritual renewal". International Journal of Multidisciplinary Research and Development, Vol 13, Issue 1, 2026, Pages 386-388
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