A stronghold of South Indian culture, the Vijayanagar Empire (1336–1646 CE) is well known for its magnificent mural paintings and architectural wonders. The stylistic elements, themes, techniques, and iconographic narratives of Vijayanagar murals are examined in this essay, with a focus on those found in temples such as Tadipatri and Lepakshi (Veerabhadra Temple). The study looks into how religious devotion, mythological narrative, and sociopolitical identity are reflected in these murals. To place Vijayanagar within the larger South Indian mural tradition, a graphical chart classifies regional mural styles.